4elements welcomes Production Designer Naomi Faughnan to the Daughters of the Revolution team

4elements are proud to announce Naomi Faughnan has joined the team as Production Designer for Daughters of the Revolution.

Naomi has worked previously as Production Designer for The Bells Of, by Barry McEvoy, in the Theatre Upstairs, Dublin 2015.

Her recent work also includes Costume Design for East of Berlin, by Hanna Moscovitch, currently on in the Project Arts Centre, Dublin.

We are delighted to have Naomi on board!

Support Daughters of the Revolution

Support Daughters of the Revolution 

4elements needs your contributions and support to bring Daughters of the Revolution to life with sets, costumes, and kick-ass technicians that are fairly paid, and resources to put the show on. We also need your help to turn the post-show discussions into a pod-cast on SoundCloud to bring The Revolution to the world.

4elements have applied for arts funding from Dublin City Council, if awarded the grant will cover most of the costs for paying our actors fairly.

Your contribution will go directly to the production of the event:

  • Sound and Lighting technicians: €600
  • Recording and Editing Daughters of the Revolution podcast for SoundCloud: €500
  • Venue Hire: €500
  • Insurance: €300
  • Visual Art Installation: €300
  • Set and Costumes: €300

Go to https://www.indiegogo.com/projects/daughters-of-the-revolution

Daughters of the Revolution in the Harbour Playhouse March 4th-6th

Everyone knows that Ireland is the best little country to give birth in…or is it?

Daughters of the Revolution is a satirical and irreverent play, examining exactly what women have to go through to get from pregnancy to birth.

And once you go down the rabbit-hole of the maternity services…who knows what could happen.

Join us at the Harbour Playhouse March 4th to 6th 2016, as we follow our heroine Evelyn Murphy on her epic journey through maternity, as she bravely contends with consultants, her mother, her partner, and the attentions of well-meaning friends.

Evelyn’s story creates a picture of contemporary Ireland in a time of rising birth-rates, uncertain economic prospects, and a health service in crisis. In a year of celebrating uprisings, and renewed debate around the treatment of women in the Irish Constitution, Daughters of the Revolution asks: how free are women in Ireland when it comes to maternity?

Daughters of the Revolution takes a sardonic look at how women have to perform to meet the complex demands of society.